It is interesting that the film "Contact" would like to have it both ways: expressing perhaps the deep conservatism of American popular culture, epitomized by Hollywood, as it tries to reinscribe the postmodern Imaginary back into the patriarchal codes of established power. The film's protagonist, Eleanor "Ellie" Arroway, is encouraged by her father to study astronomy and gaze into Carl Sagan's cosmos. It becomes her lifelong quest to understand the universe and, with the death of her father, to make "contact" with extraterrestrial life that she knows (by an intuition that will turn into faith) is out there, just as Mulder on Chris Carter's "X-Files" knows the truth (typically in later episodes referring to extraterrestrial invasion) is out there. Ellie's voyage starward reaches its terminus in reunion of father and daughter. No appearances of strange aliens here, only a pristine vision of early paradise where father and daughter can be together again.
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